begins to come out the first footage with the new "bomb" digital Arri, the Alexa.
I found on youtube that you place the two courts below.
In the case of the first, entitled GREY, will add to the technical specifications, just below the video.
While the second short film, much more interesting than the first in terms of lighting situations, ranging from night to day at critical times in low light, a power analysis gives us a bit more thorough, partly because I put it just below the short , concerning the making of the shooting. It's nice to hear that the DOP operator Stead, by the assistant to the director, all seem to be happy with the handling of the room, its dynamic range, etc.. I heard that, apparently, even the Lord. RED Jim Jannard has congratulated the creators of Alexa.
gotevela Look here and I enjoy it like me, in silence, waiting for the day to have it in your hands:
I found on youtube that you place the two courts below.
In the case of the first, entitled GREY, will add to the technical specifications, just below the video.
While the second short film, much more interesting than the first in terms of lighting situations, ranging from night to day at critical times in low light, a power analysis gives us a bit more thorough, partly because I put it just below the short , concerning the making of the shooting. It's nice to hear that the DOP operator Stead, by the assistant to the director, all seem to be happy with the handling of the room, its dynamic range, etc.. I heard that, apparently, even the Lord. RED Jim Jannard has congratulated the creators of Alexa.
gotevela Look here and I enjoy it like me, in silence, waiting for the day to have it in your hands:
"GREY"
Technical Specifications:
Camera - ARRI ALEXA
Optics - Cooke S4
ASA - 800 (interior), 1600 (exterior night)
Gamma Curve - Log C
Editing - Final Cut Pro Color Correction
- Apple Color
"WORLD CUP"
Making Of "WORLD CUP"
- Patrick Botticchio -
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